Okaigan

Big Enlightenment OR Big eye opening (zen meaning)

   

Shotokan

House of Shoto/Pine Sea Style

Gichin Funakoshi

Founder of Shotokan Karate

USA-NKF USA National Karate Federation.

The National Governing Body for the Sport of Karate in the United States. In 1996 the (USOC) United States Olympic Committee sanctioned the USA-NKF as a member.

WKF

World Karate Federation.

Shuri-Te

Old name for the Shotokan Style

Kara

Empty

Te

Hand

Karate-Ka

Karate Practitioner

Karate

Empty Hand

Do

The Way

Karate-Do

The Way of the Empty Hand

Budo

Martial Way (to prevent violence

Gashuku

The gathering of an entire dojo for training

Kata

Practice Form

Bunkai

Formal application of Kata techniques

OYO

The full analysis; multiple applications; alternate meanings

Sensei

Teacher

O' Sensei

"O" Means "Great"

Sempai

Assistant Instructor

Shihan

Master Instructor 6th Dan or higher

Ikken Hissatsu

To kill with one blow

Osu

Used for respect of acknowledgement (only in the dojo)

Ryu

Karate Style

Sun-Dome

End technique 3cm. Before point of contact

Kiai

Spirit Yell

Dojo

School or training hall

Obi

Belt

Kyu

Colored Belt Level

Dan

Black Belt Rank

Gi

Karate Uniform

Embusen

Performance Line of a kata

Kihon

Basic Techniques

Jodan

Head Level

Chudan

Mid-Level/Abdomen

Gedan

Low Level/Belt or groin area

Maai

Distance

Kumite

Sparring

Jiyu Kumite

Free style sparring

Ippon Kumite

One-Step Sparring

Gohan Kumite

Five-Step Sparring

Waza

Technique

Reigi

Etiquette

Mokuso

Deep breathing meditation



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Instructions/Commands

Narande

Line up

Keiretsu

Line up by rank

Yoi

Ready / Prepare yourself for task at hand

Kiotsuke

Attention

Rei

To Bow

Naore

Return to Shizen-tai (ready position)

Kiritsu

Get up from your seat

Chatuseki

To sit down

Onaji-Waza

Same Technique

Hajime

Begin

Yame

Stop

Yasume

Relax

Shomen Ni Rei

Bow to the front (of the dojo)

Sensei Ni Rei

Bow to the Sensei

Otaigai Ni Rei

Bow to one another

Seiza

Formal Japanese Sitting Position

Age-te

Hands up

Kamae-te

Guard up/fighting position

Matte

Wait

Migi

Right

Hidari

Left

Kamae

Posture

Mawatte (Kaette)

Turn around

Naname

45 Degree Angle

Zenshin

Forward

Koshin

Backward

Maee

Step up

Kaete

Switch

Motono ichi

Original Position

KI HA KU

Projection of Spirit "KI"



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Counting

1

ICHI

2

NI

3

SAN

4

SHI

5

GO

6

ROKU

7

SHICHI

8

HACHI

9

KU

10

JU

11

JU-ICHI

12

JU-NI

13

JU-SAN

14

JU-SHI

15

JU-GO

16

JU-ROKU

17

JU-SHICHI

18

JU-HACHI

19

JU-KU

20

NI-JU


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Stances

BASIC

Zenkutsu Dachi

Front Stance

Kokutsu Dachi

Back Stance

Kiba Dachi

Straddle Stance

Fudo Dachi

Fighting Stance- aka "Rooted Stance"

Musubi Dachi

Informal Attention Stance (Heels together-V) (Bowing Stance)

Heisoku Dachi

Parralel Attention Stance-Feet together

Hachiji Dachi

Ready Stance-Feet Apart (Yoi Position)

 

ADVANCED

Gyaku Hanmi

Reverse Half Front Facing Position (Heian Nidan)

Shizen-Tai Dachi

Natural Stance-Feet Apart

Shiko Dachi

Square Stance- Feet point at 45 degree angle

Neko Ashi Dachi

Cat Stance

Kosa Dachi

Cross Legged Stance

Hangetsu Dachi

Wide Hourglass Stance (Hangetsu/Half Moon)

Sanchin Dachi

Hourglass Stance

Sochin Dachi

Diagonal Straddle Stance

Tsuru Dachi

One legged Stance (Gankaku)

Renoji Dachi

"L" Stance

Sagi Ashi Dachi

Crane Stance (Jitte)



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BASIC BLOCKS

Age Uke

Rising Block

Gedan Uke

Down Block

Soto Ude Uke

Outside Forearm Block

Uchi Ude Uke

Inside Forearm Block

Shuto Uke

Knife Hand Block

 

ADVANCED BLOCKS

Morote Uke

Augmented Block

Juji Uke

"X" Block

Gyaku Uke

Reverse -Form Block

Yama Uke

Mountain Block

Kakiwake Uke

Wedge Block

Gedan Shuto Uke

Low Knife Hand Block

Teisho Uke

Palm Heel Block

Tate Shuto Uke

Vertical Knife Hand Block

Haishu Uke

Back-Hand Block

Nagashi Uke

Sweeping Block (Heian Nidan)

Haiwan Nagashi Uke

Back of fore-arm Block (Heian Yodan)

Osae Uke

Pressing Block (Heian Godan)

Kake Uke

Hooking Block (Heian Godan) (Tekki Shodan)


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BASIC PUNCHES

Gyaku Zuki

Reverse Punch

Kizami

Zuki Jab

Oi Zuki

Lunge Punch

Ren Zuki

Double Punch

San Zuki

Triple Punch

Choku Zuki

Straight Punch

ADVANCED PUNCHES

Oi Gyaku Zuki

Lunging Reverse Punch

Kage Zuki

Hook Punch (Heian Godan)

Morote Zuki

Two Hand Punch

Yama Zuki

"U" Punch

Tate Zuki

Vertical Punch (Heian Nidan)

Nagashi Zuki

Flowing Punch (Heian Godan)

Ippon Ken Zuki

Single-Point Fist Punch (Hangetsu)

Hasami Zuki

Scissors Punch (Chinte)

Nakadate Zuki

Middle Finger Punch (Chinte)



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BASIC KICKS

Mae Geri Keage

Front Snap Kick

Mae Geri Kekome

Front Thurst Kick

Mawashi Geri

Roundhouse Kick

Yoko Geri Keage

Side Snap Kick

Yoko Geri Kekome

Side Thrust Kick

Ushiro Geri

Back Thrust Kick

ADVANCED KICKS

Nidan Geri

Double Kick

Fumikomi Geri

Stomping Kick

Soto Mikazuki Geri

Outside crescent Kick

Uchi Mikazuki Geri

Inside Crescent Kick

Gyaku Mawashi Geri

Reverse Round Kick

Mae Tobi Geri

Flying Front Kick

Yoko Tobi Geri

Flying Side Kick

Mawashi Tobi Geri

Flying Round Kick

Ono Geri

Axe Kick

Ashi Barai

Sweep

Hiza Geri

Knee Kick/Strike

Nami Ashi Geri

Returning Wave Kick (Tekki)

 

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Strikes

Mae Empi Uchi

Front Elbow Strike

Mawashi Empi Uchi

Round Elbow Strike

Yoko Empi Uchi

Side Elbow Strike

Otoshi Empi Uchi

Downward Elbow Strike

Ippon Nukite

Single Finger Strike

Nihon Nukite

Two Finger Strike (fork to the eyes)

Shihon Nukite

Four Point Spear Strike

Haito Uchi

Ridge Hand Strike

Uchi Haito Uchi

nside Ridge Hand Strike

Hiza Uchi

Knee Strike

Kumade Uchi

Bear Claw Strike

Tettsui Uchi

Hammer Fist Strike

Tiesho Uchi

Palm Heel Strike

Uraken Uchi

Back Fist Strike

Soto Shuto Uchi

Outside Knife-Hand Strike

Uchi Shuto Uchi

Inside Knife-Hand Strike

Hiraken Uchi

Fore-Knuckle Strike

Ippon Ken Uchi

One Knuckle Strike (Chinte)

Washide Uchi

Eagle-beak Hand Strike

Haishu Uchi

Back Hand Strike

Seiryuto Uchi

Ox-jaw Hand Strike (Empi)




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Belt Colors

White

Shiro

Yellow

Kiiro

Gold

Kin

Orange

Orange

Green

Midori

Blue

Ao

Purple

Murasaki

Aka

Red (Also used in Tournament Kumite)

Brown

Chairo

Black

Kuro


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Body

Ashi

Leg

Atama

Head

Kata

Shoulder

Kyosen/Suigetsu

Solar Plexus/Bottom of Sternum

Koshi

Hip

Wan

Arm

Haisoku

Top of the Foot

Kakato

Heel of the Foot

Koshi

Ball of the Foot

Ensho

Back of the Heel

Tekubi

Wrist

Tate Ken

Vertical Fist

Ken

Fist

Seiken

Fore-Fist

Sokuto

Knife edge of the Foot

Ude

Forearm

Higi/Empi

Elbow

Te

Hand

Kaishu

Open-Handed

Haishu

Back of Hand

Hiza/Hitsui

Knee

Koshi no Kaiten

Hip Rotation


 

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Kata

Taikyoku -Shodan, Nidan, Sandan

First Cause - Level 1,2,3

Heian- Shodan, Nidan, Sandan, Yodan, Godan

Long lasting peace. "Hei " is peace and "an" is stable, safe, or relief. Sensei Anko Itosu created these kata's and named them Heian - Level 1,2,3,4,5

Tekki Shodan

Iron Knight - First level

Bassai-Dai

To Penetrate a Fortress

Jion

A Buddest Temple in China; Compassion

Empi

The Flight of the Swallow

Hangetsu

Half Moon

Kanku-Sho

Look to the Void; To View the Heavens

Tekki Nidan

Iron Knight - Second Level

Bassai-Sho

To Penetrate a Fortress

Chinte

Extraordinary Hands

Jitte

Ten Hands

Nijushiho

Twenty-Four Steps

Gankaku

Crane on a Rock

Jiin

In the Shade of Compassion. "JI" means compassion and "IN" means in the shadow or shade

Sochin

To Keep the Peace

Gojushiho-Sho

Fifty-Four Step (or directions)

Gojoshiho-Dai

Fifty-Four Step (or directions)

Unsu

Cloud Hands

Meikyo

Bright Mirror or Clear Mirror

Wankan

King's Crown

Sho

Lesser, Minor

Dai

Greater, Major

Shorin

Speed, Swiftness

Shorei

Power, Strong



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The 15 Basic, Original, Shotokan Kata's

Gichin Funakoshi, in 1922, brought this kata to Japan. The main value of each kata is expressed. 

Heian Shodan

Front Stance, back stance, stepping patterns, lunge punch

Heian Nidan

Front kick, side kick while changing directions

Heian Sandan

Body connections in forearm blocking, back-fist strike

Heian Yodan

Balance and variation in technique

Heian Godan

Balance and jumping

Tekki Shodan

Straddle leg stance-hip vibration

Tekki Nidan

Grasping and hooking blocks

Tekki Sandan

Continuous middle level blocking

Bassai-Dai

Changing disadvantage into advantage by use of switching blocks and differing degrees of power

Kanku-Dai

Variation in fast and slow techniques, jumping

Jion

Turning, shifting, variations in stepping patterns

Jutte

Powerful hip action, use of the staff

Empi

Fast slow movements, high and low body positions, reversal of body positions

Hangetsu

Inside tension stance, coordination of breathing with stepping, blocking and punching; circular arm and leg movements

Gankaku

Balancing on one leg; side kick; back fist strike



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WKF Referee Terms

Shobu Hajime

Start the match or bout

Yame

Stop

Tsuzukete

Fight on (unauthorized Interruption) / Resume

Fukushin Shugo

Judges Called

Hantei

Judgement;Decision

Hikiwake

Draw

Torimasen

Unacceptable as a scoring techniques

Aka (Ao) No Kacho

Red (Blue) wins

Aka (Ao) Ippon

Red (Blue) scores three points

Aka (Ao) Wazari

Red (Blue) scores two points

Aka (Ao) Yuko

Red (Blue) scores one point

Chui 1,2,3

Warnings

Hansoku-Chui

Penalty

Hansoku

Penalty of Disqualification

Jogai

Exit from the match area

Shikkaku

Disqualification

Kiken

Renunciation

Mubobi

Self Endangerment

Uke-te

Blocked

Atoshi Baraku

a little more time left WKF/USA KARATE “15 seconds”

Moto No Ichi

Original Position



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Strategies

GO NO SEN: allow the opponent to attack first so as to open up targets for counterattack

INASU: avoid an on-coming attack by removing your body from the line of attack

SEN NO SEN: attack at the exact moment that the opponent attacks

SEN SEN NO SEN: attack before the opponent attacks

TAI SABAKI:
shift to remove your body from the line of attack



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Dojo Kun

The Five Precepts of the dojo-Kun encodes the moral essence of the study of karate, which serves to balance the physical aspect of the sport. It is thus elevated the level of being simply a method of ritualized violence or a modern competitive sport. It is thought that to ignore these moral goals would eventually lead to negative consequences for both the karate-ka and karate as a whole.

 

SEEK PERFECTION OF CHARACTER

BE FAITHFUL

ENDEAVOR

RESPECT OTHERS

REFRAIN FROM VIOLENT BEHAVIOR

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Formal Bow

KNEELING  IN SEIZA

Place your left knee on the floor, then the right knee. Sit down on your feet. The toes overlap (either one on top) Keep your back straight and shoulders relaxed. Rest each hand on your thighs (fingers together).

BOWING IN SEIZA

Slide your left hand to the floor first, in front of your knee, then do the same with your right. (Palms touching the floor). Bow at the waist, the forehead comes close to the floor but does not touch. When you sit back up place your left hand on your left thigh first then your right.

FORMAL BOW-Beginning of Class

The Senior student or Sensei will call out "Narande" or line up. Students stand shoulder to shoulder, even lines, facing the front of the dojo in belt order. The senior student calls out "Seiza" The senior student calls out "Mokusou" (meditation-lower head/and or close eyes) The senior student calls out "Mokusou yame" The senior student calls out " Shomen ni rei" (Bow to the front of the room) The senior student calls out " Sensei ni rei" (Bow to the sensei) (When bowing to sensei you may say, "onegaishimas" translates to Please teach me/please hold class) or you may say, "Osu")

FORMAL BOW-Ending of Class

Same as opening except after mediation ends "Mokusou yame" the class recites the DOJO KUN. Also when you bow to the Sensei you may say, "arigatoh gozaimas" which means, Thank you.



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Gichin Funakoshi

SHIHAN GICHIN FUNAKOSHI
 
Shihan Gichin Funakoshi Born in Shuri, Okinawan Prefecture 1868-April, 1957.
The Okinawan Prefecture is located South of Japan and was formerly known as the Kingdom of the Ryukyus. Shihan Gichin Funakoshi's Instructors:
*Yasutsune Azato
*Yasutsune "Anko" Itosu
*Matsumura Sokon
Shihan Gichin Funakoshi's son *Gigo Funakoshi Karate was first introduced to the public, in Japan, in 1902.


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WHAT IS KATA ?

Kata is often described as a set sequence of karate moves organized into a pre-arranged fight against imaginary opponents. The kata consists of kicks, punches, sweeps, strikes, blocks, and throws. Body movement in various kata includes stepping, twisting, turning, dropping to the ground, and jumping. In Shotokan, kata is not a performance or a demonstration, but is for individual karate-ka to practice full techniques—with every technique potentially a killing blow; while paying particular attention to form and timing (rhythm).
Shotokan Karate is comprised of 26 katas, each with their own emphasis on fast and slow or controlled and powerful movements. Virtually all of the katas taught today in the Shotokan system have two kiai points.

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KIAI 

A Japanese word that translates to SPIRIT YELL

WHY DO WE KIAI?

  • SCARE THE OPPONENT
  • TIGHTEN THE ABDOMINAL MUSCLES
  • HELPS US TO FOCUS ON OUR TARGET
  • GIVES OUR TECHNIQUE STRENGTH/POWER
  • SPIRIT

WHEN DO WE KIAI?

Technically on every move, but traditionally in the doo we KIAI on the last move. In Shotokan Katas there are two Kiai per Kata

DO WE YELL “KIAI” ?

NO, because if someone is fluent in Japanese, all they hear for the translation is SPIRT YELL!, and that sounds silly. Yelling SPIRIT YELL at a "bad guy" sounds silly.

 

 

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Dojo Etiquette

The karate dojo is a formal place to practice karate. It is important to respect the environment, its surroundings, and fellow karate-kas.

 

  • Bow before entering and exiting the dojo. It is also polite to bow when addressing the Sensei, a senior ranking student, and when beginning practice with another student.
  • Have respect for other students and the people instructing.
  • No talking during class.
  • No running in the dojo.
  • Gum chewing or food is not allowed in the dojo.
  • All students 1st blue and above must wear a karate gi. The gi should be clean with no holes, stains, etc. Students may wear a black gi to class; however, black uniforms are not allowed during testing, tournaments and demonstrations.
  • Students should be bare foot during class, unless they have some type of foot problem that requires them to wear shoes. Please advise the Sensei as to the nature of your problem and agree on the proper type of shoe to wear.
  • Hats, sun glasses, bracelets, watches, long earrings, rings, or necklaces are not allowed during practice. This is for the safety of the student, other students, and prevents damage to the articles mentioned. A watch may be worn looped around your belt, if you want to risk it. 
  • Keep finger and toe nails trimmed for your safety and the safety of others.
  • Never wash a karate belt; this is disrespectful. A belt should fade with time, not with the washing machine.

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